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Welcome
to Lincoln, 2008
The abcd 2008 Convention is all about superlatives. The venue, Britain's newest purpose-built university, is absolutely stunning, with superb state-of-the-art facilities. But even more importantly, the presenters, together with the choirs performing at the Gala Concert, are amongst the very best in the world, and keen to pass their skills and insights on to you. If you've attended Convention before, you will already know how effectively this wonderful weekend of total immersion in choral music recharges your enthusiasm to lead choirs. If you haven't, make this the year you come for the first time. You'll end up buzzing with ideas on performance, conducting technique, voice production, new repertoire and much more. I guarantee you'll want to come again! Richard Crossland, Chair, abcd |
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This
year's themes
Major strands for Convention 2008 will be performance authenticity and Renaissance and Baroque music. There will be workshops and sessions of great interest for everyone working with young voices from the earliest years upwards, jazz, gospel, vocal technique and much more. |
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This
year's venue All this in the University of Lincoln, just ten minutes' walk from the historic centre of Lincoln with its magnificent Cathedral, where we'll hold the Gala Concert - this year on the Friday, not the Saturday |
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year's timing Please note: sessions begin after lunch on Friday; Convention ends after lunch on Sunday, when the Exhibition closes at 2pm. For Convention 2008 news updates visit this website; for timetable and other Convention information, contact Len Fletcher, Convention Administrator, on 01772 704834 or email lLen@enterpriseco.demon.co.uk. For general abcd information, please contact Rachel Greaves on 01935 389482 or email rrachel.greaves@abcd.org.uk. |
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As
a full Convention delegate you receive a complimentary ticket to the Gala
Concert, |
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| Suwon
Civic Chorale, conductor In-Gi Min Unquestionably a world-class ensemble and one of the most remarkable choirs to be found anywhere, the Suwon Civic Chorale is an all-professional group whose presentation is as flawless as their singing. Those who experienced their amazing 2003 performance at the Birmingham abcd Convention will be thrilled to see them again. |
Orlando
Consort The Orlando Consort is established as one of the world's finest small vocal ensembles. It has toured throughout Europe, North and South America, and the Far East, and has released over 20 CDs, winning two Gramophone Awards. The Consort features music written between 950 and 1550, but the singers have extended their activities in recent years to embrace repertoires with shared roots, such as contemporary music, jazz and world music. |
| Chantage,
conductor James Davey Formed in 1999, Chantage has quickly established itself as a stylish and energetic young chamber choir. Based in London, it is an outstanding amateur choir with a national reputation. After a stunning performance in the Grand Final of the BBC Radio 3 Choir of the Year competition 2006, Chantage walked away with both the top prize and the prize for the audience's favourite. |
Southend
Boys' and Girls' Choirs, director Roger Humphrey Frequent performers in the BBC Proms and guests at the Queen's 80th Birthday concert, both choirs have an enviable reputation for excellent singing, both separately and together. As well as making recordings and broadcasts the choirs have commissioned works from some of the UK's finest composers and regularly perform in music festivals both at home and abroad. |
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Convention
Presenters and Sessions |
| 'The hottest thing in choral music' (Philadelphia Inquirer) A rare chance to gain an insight into the works of the USA's Eric Whitacre, accomplished composer, conductor and lecturer, who has become one of the most popular and performed composers of his generation. Polyphony's recording of his a cappella music, Cloudburst and other choral works, quickly became an international best seller and his works are enjoying huge popularity with choirs, described by the Los Angeles Times as 'works of unearthly beauty and imagination, with electric, chilling harmonies'. | Care
of the voice throughout life Margaret Izatt, Head of Vocal Studies with the National Youth Choir of Scotland leads a session on a topic relevant to anyone leading singers of any age, covering children through teenage years to mature voices. Margaret will also be leading a practical session for those working with the youngest singers, on personal development of children through music, with an emphasis on pre-school singing. |
Medieval
and early renaissance music is a treasure trove of material for developing the skills of young singers and choirs. Starting from the simplest of beginnings but reaching the heights of ingenuity, beauty and virtuosity, it is the most liberating repertoire ever created. With all-inclusiveness and mixed-ability applications built into the heart of the music, the Orlando Consort show ways to let the voice and the imagination roam free. |
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for something new? Discover something old! Medieval and renaissance music is not merely atmospheric, serene and beautiful, but vibrant, sophisticated, challenging and sometimes very rude indeed! In this participatory session, the Orlando Consort will introduce some favourite sacred music from their 500-year repertoire and may be persuaded to unveil some of the more salacious secular songs of the period. Not for those of a sensitive disposition! |
The
music of language Peter Broadbent, Musical Director of the award-winning Joyful Company of Singers, works with members of Chantage to explore how the sonorities, shapes and stresses of the original language can lead to a greater understanding and enjoyment of the style of the music. |
Ideas
to help young singing voices Alison Street and Linda Bance, authors of OUP's publication Voiceplay, lead this workshop about working musically with children aged three to five. This is for practitioners who may or may not be music specialists, but who are keen to foster singing with young children, to broaden their own repertoire and to enhance young children's musicality. There are songs to help things happen in early years settings, movement songs, songs to help pitching, songs for play and songs that tell stories. There are lots of ideas to help you look after your own voice too, and to develop strategies for leading singing with small or large groups of children. |
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joy of singing Experience love, acceptance and cuddles without anyone touching you! Find out how it's done in a workshop with Brenda Rattray, jazz gospel singer. Brenda's workshops have taken her to schools, prisons and the business world to inspire people to express themselves musically, build singing communities and provide a source of inspirational music. |
Janette Ruocco, Jo McNally and Gillian Dibden, who were all leaders in abcd's recent work for Sing Up, discuss their experiences during the project as well as their hopes for its legacy. They will also demonstrate some of the exercises and activities employed whilst training over 30 primary school teachers to lead singing groups: ideas to use in the classroom and to help less experienced colleagues gain confidence in their own singing leading. | Approaching
Baroque works with a large choir - a frequently encountered situation! Nicholas Cleobury, Principal Conductor of the Oxford Bach Choir, who has conducted a wealth of choirs including the BBC Singers and City of Birmingham Symphony Chorus, looks at the issues when conducting Baroque works with a large number of voices. |
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Jazz
folksongs for choirs |
Singing
playgrounds Rebecca Ledgard and Urszula Weber from Ex Cathedra lead a session based on this successful scheme which explores playground activities and singing games. They use primary children's own musical language to revitalise singing and enable children to become singing leaders themselves. This practical workshop focuses on leading singing games in the classroom, from a range of cultures. |
Baroque
Latin American style Take a voyage of discovery into the hidden treasures of 17th century Latin America, where European, African and South American cultures combined in a colourful fusion of musical styles to create some of the most infectious and atmospheric music of the Baroque period. Jeffrey Skidmore is Artistic Director of the Early Music Programme at Birmingham Conservatoire and conductor of Ex Cathedra, whose pioneering recordings of Latin American Baroque music have gained international acclaim. |
| Three
choral heresies Andrew Parrott, founder of the Taverner Consort, Choir and Players, Musical Director of New York Collegium and author of The Essential Bach Choir, leads what is bound to be a lively session discussing Bach's Choir, countertenors and women in church and more! |
The
choir in your head Popular abcd tutor Jo McNally works with local singers on some of the things which normal rehearsal time doesn't allow for. She looks at vocal technique, blend and those many things which we all know really but are apt to forget in the midst of busy concert rehearsals, but which might help your choir become the you dream it was! |
Align
the body and voice Therees Tkach Hibbard was one of the original extended courses team and is now Assistant Professor of Choral Conducting and Repertoire at the University of Nebraska, Lincoln USA. She specialises in the use of dance and movement instruction to train singers, music teachers and conductors and is guaranteed provide everyone with some energy first thing on Saturday morning! |
| Masterclass
- the Korean choral tradition Explore the rich heritage of South Korea through contemporary and traditional music with the amazing Suwon Civic Chorale and their conductor In-Gi Min, making a welcome return to Convention after their triumphant appearance in 2003. |
Period
dos and don'ts Kah-Ming Ng is the musical director of Charivari Agréable, one of the most innovative and refreshing period-instrument bands in Europe. The ensemble boasts an impressive award-winning discography and has collaborated with some forty choirs in the UK. Kah-Ming will present some insights on baroque interpretation from the point of view of the period player. |
Music
trade exhibition Always a 'must' for delegates, this year's Exhibition in the refurbished and enormous Engine Shed promises to be the most extensive ever. All the major music publishers, equipment manufacturers, tour agents and other organisations you need will be there - so you can browse, buy sheet music and recordings, plan tours abroad etc. and benefit from the exhibitors' expert knowledge and advice. If you would be interested in hiring a stand, please contact Rachel Greaves. |
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Pre-Convention
Conducting Course |
Young
Conductors' Course Bursaries available! Up to ten young conductors can benefit from subsidised Convention places at just £150 each. For eligibility details and more information, contact Sarah Guest Download Application Form |
Composers'
Forum
- a special study opportunity for composers led by Alan
Bullard Alan Bullard, who studied with Herbert Howells and Arnold Whittall, is a prolific and widely performed composer, writing in most genres for both amateurs and professionals. He is also an ABRSM examiner. Please let us know as soon as you can if you would like to take advantage of this special opportunity by ticking the box on the booking form. |
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Accommodation,
fees and booking details |
| Keep up to date with news about Convention 2008 - visit this website or.... |
| For
more information and timetable details, please phone Len Fletcher, Convention
Administrator, on 01772 704834 or email len@enterpriseco.demon.co.uk. For general abcd enquiries, please contact Rachel Greaves on 01935 389482 or email rachel.greaves@abcd.org.uk. |